METAPHYSICAL OROZCO

2020 / 2021 CURATORIAL RESIDENCY

For our 2020 / 2021 Curatorial Residency, BBAX is hosting Laura Ayala who, for many years, served as Chief Curator and Coordinator of Exhibitions at The Museum of the Arts in Guadalajara, Mexico (MUSA). For this residency, Ayala will undertake research, education, and community projects, focusing on Mexican Muralism and their connection with California and Santa Monica's Spanish speaking community. Through this program we hope to engage, inspire, and highlight the contributions made by the Latino community to our city.

 

Throughout the residency Laura will research the local Chicano and Spanish speaking communities, while also engaging with the LatinX community as well as local Spanish speaking artists through virtual studio visits, portfolios reviews, lectures, and workshops discussing José Clemente Orozco muralism history and restoration.

 

From 2014 to date Laura Ayala has studied the life and work of Orozco, she worked in the Museum of the Arts of the University of Guadalajara for more than 15 years where she developed a series of curatorial and educational projects around the murals that Orozco painted from 1936 to 1937 in the auditorium known as Paraninfo, located inside the building that is currently the headquarters of the Museum.

 

In May 2016 an earthquake caused some cracks to these frescoes, it was crucial to make a comprehensive intervention. The scaffolding - on which the restorers worked - gave Laura the opportunity to observe the paintings at a close distance, allowing her to appreciate the brushstroke of the master and above all to perceive the monumentality of the works and the great difficulty that represented their execution. With this experience she conceived a project that would allow her “to transport” the frescoes, this work was entitled Metaphysical Orozco which is an animated video experience.

 

This project was first presented at the LA ART Show in 2017 and later at the MUSA headquarters itself. Laura considers it of great importance to know the background and historical context in which a particular work is produced. Mexican Muralism was possible in Mexico thanks to the combination of many social, political and artistic factors.

 

It is very important that both the well-informed and the new public can have access to new elements of interpretation of the work of the Grand Masters, in this case Orozco. This research intends to sow a seed in postmodern times, giving us new elements of interpretation that lead to a critical rereading of the work of José Clemente Orozco, creating cultural understanding and awareness of the social issues Mexican artists like Orozco face.

 

For more information on our Curatorial Residency Program, please click here.

 OUR SUPPORTERS 

Supported in part by a grant from the City of Santa Monica

National Performance

Network (NPN)

Consulate General of the Netherlands in New York

OUR PARTNERS

QATAR VISUAL ARTS CENTER 

 

MINISTRY OF CULTURE, ARTS AND HERITAGE QATAR

KATARA ART CENTER 

 

NATIONAL AFFAIR

FOR CULTURE AND THE ARTS

MUSEO DE LAS ARTES UNIVERSIDAD

DE GUADALAJARA

IFITRY RESIDENCY OF ARTISTS

UNIVERSITY OF ARTS BAJA CALIFORNIA

CULTURAL INSTITUTE

OF BAJA CALIFORNIA

CONTEMPORARY ART

PLATFORM - CHILE

ARTE AL LIMITE

CENTER OF THE 

ARTS ESTACION 

ANTOFAGASTA - CHILE

BICE BUGATTI

CLUB

CENTRE D'ART CONTEMPORAIN

ESSAOUIRA 

REDLINE

CONTEMPORARY 

ARTS CENTER

LA ART SHOW

CONTEMPORARY

EXPRESSIONS OF ART

MAROC PREMIUM

FOUNDATION

THE BROAD

KAI 10 ARTHENA FOUNDATION

INTERNATIONAL 

BIENNIAL

OF CASABLANCA

MOPLA

CENTER OF THE ARTS

ENSENADA, BC, MEXICO

SANTO TOMAS

CULTURAL ART CENTER

ART SCI CENTER UCLA

VILLA AURORA +

THOMAS MANN HOUSE

IASAS

UNIVERSITY OF APPLIED

ARTS VIENNA

CONSULATE GENERAL

OF POLAND

SENATE OF BERLIN

NATIONAL YOUNGARTS FOUNDATION

ITALIAN CULTURAL

INSTITUTE OF

LOS ANGELES

LUCIE FOUNDATION

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Phone: 310-770-1961 | buildingbridgesax@gmail.com