top of page

Tami Bahat at Building Bridges Art Exchange

  • Genie Davis
  • Feb 15, 2018
  • 3 min read

Lush, Painterly Photographs from Tami Bahat

Closing Reception February 17th, 6pm – 9pm Building Bridges Art Exchange, Santa Monica

With “Revising Humanity: Secrets and Lifetimes”, photographer Tami Bahat creates astonishing painterly works that are rich and lustrous, works that echo Renaissance-style artworks and form images that haunt and glow.

Bahat unassumingly says of her work: “I hope to display a bit of humanity and connect with others through the imagery.” But the artist does far more than that, creating a fascinating amalgam of classic images and modern technique. There is something dream-like about her subjects and execution; it’s as if she were reimagining the work of the Old Masters and making their style most decisively her own. The images are often witty and yet profound, speaking of the human condition in a way that transcends time, and exists in a kind of netherworld which is both indefinable and universal.

With this sort of mythic visual approach, the Los Angeles-based Bahat nonetheless creates her tableau in a fairly-prosaic way. According to the artist: “My models are typically family or friends. I prefer photographing ‘ordinary people’ as they tend to project something very honest and vulnerable.”

Curated by Marisa Caichiolo, Bahat’s solo exhibition here is made up of radiant, wonderful portraits of people and animals that at first glance could indeed be paintings. The viewer is absorbed by an uncanny sensation that classic images are being reincarnated and absorbed into the current cultural zeitgeist.

Bahat uses vintage costumes and poses that evoke 16th and 17th century paintings, but which also seem to exist outside of time. Her palette reminds one of careful works in egg tempura on wood panels, as warm and precise. Around her images, which seem to contain their own illumination in faces and figures, the backgrounds are dark, or fade into darkness, making the central images even more immersive and compelling. This technique also enhances the dream-like aspect of the works. The subjects often seem otherworldly themselves, with the inclusion of children and animals perfectly poised, and even furnishings positioned in seemingly symbolic ways.

The mysterious and beautiful stories that Bahat creates have an alchemic feeling – one wonders who her subjects are, and exactly what they are doing the moment they are “off screen”. There is a transformative magic swirling about the subjects, both in terms of the light that infuses them and the expressions Bahat captures.

According to Bahat: “I’ve always been moved by other lifetimes and people, their stories… humanity and all the complexities that live within us. Also, a connection to worlds that no longer exist. I acquired some costumes from the L.A. Opera House, and after a shoot with one friend, I was so excited to explore other characters.”

And explore she has. We’re introduced to twin girls, only half revealed from a dark background, holding a silvery snake. Below them is an antique silver tea service. A weary looking man in Renaissance-period dress writes a letter by candlelight, his form, too, emerging from the un-seeable shadows. A woman and a simian sit in matching, back to back chairs, staring in opposite directions. Another woman, clad in white, hunches forward on a chair, her face hidden inside the folds of a red leather book. A beautiful cat yowls over a silvery fish, a red pomegranate glowing like an orb on the table beside them. In each of these works, the central images are delicately, beautifully illuminated; the backgrounds a dense cloud of darkness. The figures – people, objects, animals – seem to pop out from this unrevealed space, adding to the sense of magic and mystery.

Constructing stories of the past seems natural to Bahat, who says her father introduced her to the works of the Old Masters at an early age. Long fascinated by these artists’ distinctive use of light and emotional heft, Bahat’s contemporary interpretation of their style, her gorgeous subjects and innate respect for natural beauty, have merged in a wondrous exhibition that defies categorization. The show closes February 17.

Comments


Featured Posts
Recent Posts
Archive
Search By Tags
Follow Us
  • Grey Facebook Icon
  • Grey Twitter Icon
  • Grey Instagram Icon
 OUR GRANTS 
NPN-VAN-Logo-Color-RGB_edited.jpg

Support from the

National Performance

Network (NPN)

CSM_Brandmark_Stk_blk.png

Supported in part by a grant from the City of Santa Monica & Art of Recovery, an initiative of Santa Monica Cultural Affairs

artsandculturelogo_1000x1000.png

Support in part by a grant from the Los Angeles County

Department of Arts & Culture

Getty_Foundation_Basic_Stack_Blk_CMYK.jpg

Support from the Getty Foundation through its Getty Marrow Undergraduate Internship initiative.

DutchCultureUSA_logo_url.jpg

Support from the Consulate General of the Netherlands

in New York

OUR PARTNERS

QATAR VISUAL ARTS CENTER 

 

MINISTRY OF CULTURE, ARTS AND HERITAGE QATAR

KataraArtCenter.jpg

KATARA ART CENTER 

 

MOPLA

MUSEO DE LAS ARTES UNIVERSIDAD

DE GUADALAJARA

IFITRY RESIDENCY OF ARTISTS

UNIVERSITY OF ARTS BAJA CALIFORNIA

CULTURAL INSTITUTE

OF BAJA CALIFORNIA

CONTEMPORARY ART

PLATFORM - CHILE

ARTE AL LIMITE

CENTER OF THE 

ARTS ESTACION 

ANTOFAGASTA - CHILE

BICE BUGATTI

CLUB

CENTRE D'ART CONTEMPORAIN

ESSAOUIRA 

REDLINE

CONTEMPORARY 

ARTS CENTER

LA ART SHOW

18699895_265185523888546_392767131726600

CONTEMPORARY

EXPRESSIONS OF ART

MAROC PREMIUM

FOUNDATION

THE BROAD

logokai10arthSW_300dpi.jpg

KAI 10 ARTHENA FOUNDATION

INTERNATIONAL 

BIENNIAL

OF CASABLANCA

CENTER OF THE ARTS

ENSENADA, BC, MEXICO

SANTO TOMAS

CULTURAL ART CENTER

ART SCI CENTER UCLA

IASAS

VILLA AURORA +

THOMAS MANN HOUSE

logo_angew-blk.jpg
cg_LA_en.jpg
Sponsor Semra Berliner Senat.jpg

UNIVERSITY OF APPLIED

ARTS VIENNA

CONSULATE GENERAL

OF POLAND

SENATE OF BERLIN

NATIONAL YOUNGARTS FOUNDATION

IIC-colore-losangeles.jpg

ITALIAN CULTURAL

INSTITUTE OF

LOS ANGELES

LUCIE FOUNDATION

©2024 BY BUILDING BRIDGES ART EXCHANGE | PHONE: 323-893-3924 | EMAIL: BUILDINGBRIDGESAX@GMAIL.COM

bottom of page